![]() Attempts to XEROX the sources with then-new technology proved fruitless, so Bob jotted down the themes he found for later edification. For a "deposit" of $20.00, Bob was able to borrow the papers. As he walked to his car a cousin (or niece) of Scott caught up to him and showed him some music Scott had left behind. Darch clarified that several years prior to publication, and while following up a tip and visiting relatives of the late James Scott in Carthage, Missouri, he was rebuffed at the door of a home he sent to. In 1999, when the question of origin surfaced, and again in 2001 as told directly to myself, Mr. First published in 1964 in the third edition of They All Played Ragtime, Calliope Rag was discovered by veteran performer Ragtime Bob Darch in the late 1950s. That said, this particular piece has a rather fuzzy history that has on occasion built up its own head of steam. In spite of a few awkward harmonic resolutions in the 32 bar C section, it shows the promise that would later be realized in the main body of Scott's work. Whether or not it was by coincidence, this piece features an ambitious left hand score with many moving octaves, much as with Joplin's Cascades and Turpin's St. The few ragtime musicians lucky enough to play at the fair were featured at one of the appropriate venues along the Pike. Amusements of all kinds, from exotic dancers to the "scenic railway", an early version of the roller coaster, were usually featured in this designated entertainment area. This piece is the result, and both the title and cover show what many considered to be the most exciting area of the exposition, the mile-long Pike. Dumar, who was also somewhat eager to cash in on the big event of 1904. Although still an employee of Dumar's Music in Carthage, he had already had two pieces published by Mr. Louis, site of the 1904 Louisiana Purchase Exposition, young James Scott had been following the stories about the upcoming fair, and the opportunities as well. On the opposite end of the state of Missouri from St. Ragtime: An Encyclopedia, Discography, and Sheetography. Columbia, MO: University of Missouri Press. Hoecakes, Hambone, and All that Jazz: African American Traditions in Missouri. Jazz: New Perspectives on the History of Jazz by Twelve of the World's Foremost Jazz Critics and Scholars.
0 Comments
Leave a Reply. |
Details
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |